Waiting for Another Coming – Ujazdowski Castle Centre for Contemporary Art

A planet made of frozen human bodies has confronted the landscape of a small rural village; cemeteries delineate maps imaginary maps of memory; the innermost corners of the human soul neighbour the political underground; immigrant enclaves are adjacent to the oases of identity, and so on. This is a flow of perpetual transformation; going with this flow results in traversing manifold heterotopias. The exhibitions in Vilnius and Warsaw show two possible routes through them. The project Waiting for Another Coming probes the opportunities for finding one’s one place in the changing world and the potential for preparing for what is in store. These questions are being posed from the viewpoint of countries located outside the core of the global order.

• The starting point is the centenary of the independence of Lithuania and Poland which both countries celebrate in 2018. For hundreds of years they have been bound by close links, and have a history of alliances and conflicts, which can be presented by formal or informal political, cultural and ethnographic narratives. For this reason, the concept of heterotopia – which Michel Foucault used in reference to situations that evade the usual principles governing our daily lives – has become the project’s leitmotif. Individual art works and indeed the exhibitions themselves are heterotopias. The transformations that have taken place in Lithuania and Poland over the last century have followed different trajectories, yet the exhibitions do not reflect these distinctions. Indeed, the project Waiting for Another Coming provides an opportunity to lay aside any differences between the two countries and create new spaces for art to sketch out the landscapes that both can share.

• The present Lithuanian and Polish collaboration has been occasioned by an anniversary of historic events. It has no intention, however, of embarking on yet another retelling of the past; on the contrary – it is focused on what future potential emerges from today’s creative praxis and, to take a broader view, from cultural processes in general. The eponymous ‘waiting’ emphasises a predicament in which artists have given up the construction of projects and visions pivoted on the future or which effect a transformation of the present, aiming instead for creating for themselves alternative spaces and environment. Rather than constructing utopias, they focus on specific heterotopias – whether actual, virtual or imaginary. They employ diverse techniques – typically, to sample, remix or compost materials that can be sourced from the world of art, popular culture, everyday life or national mythology. In turn, the eponymous ‘coming’ refers to a leaning towards the future while being open to all possible outcomes. As well as being indicative of the concrete approaches of the participating artists, the title of the project refers to the general condition of both countries in the dramatically evolving geopolitical order.