Posthuman Cinema
How Experimental Films Teach (and Learn) How To Show Animals
-
Short films
-
-
Studies On The Ecology Of Drama
-
directed by Eija-Liisa Ahtila, Finland 2017, 26'
-
-
-
directed by Pierre Huyghe, France 2014, 19'
-
-
It Seems that an Animal Is in the World as Water in the Water
-
directed by Bojan Šarčević, Germany 1999, 8'
-
-
Primate Cinema: Apes as Family
-
directed by Rachel Mayeri, USA/Scotland 2012, 11'
-
-
-
-
Set 2: Dogs and Cats (Do Derrida)
- Lily Does Derrida: A Dog’s Video Essay
- directed by Kathy High, USA 2010–2012, 30'
-
-
directed by Seth Keal, USA 2012, 15'
-
-
-
directed by Sam Hearn and Richard Penfold, United Kingdom 2004, 4'
-
-
-
[Chat écoutant la musique], directed by Chris Marker, France 1990, 3'
-
-
-
directed by Francis Alÿs, Mexico 2003, 5'
-
-
-
directed by Alexander Hammid and Maya Deren, USA 1944, 22'
-
-
-
directed by Carolee Schneemann, USA 2018, 9'
-
- Lily Does Derrida: A Dog’s Video Essay
-
-
Long films
-
-
directed by Theo Anthony, USA 2016, 82'
-
- Rat Catcher
- [Szczurołap], directed by Andrzej Czarnecki, Poland 1986, 22'
-
-
directed by Lucien Castaing-Taylor and Véréna Paravel, USA 2013, 87'
-
-
-
directed by Nicolas Philibert, France 2010, 70'
-
- Animals and More Animals
-
[Un animal, des animaux], directed by Nicolas Philibert, France 1996, 59'
-
-
The Wild Parrots of the Telegraph Hill
-
directed by Judy Irving, USA 2003, 83'
-
-
-
[Bestiaire], directed by Denis Côté, France/Canada 2012, 72'
-
-
-
-
Cinema.Night
-
20/10/2018 21:00
- Roar
- directed by Noel Marshall, USA 1981, 94' +
- Long Weekend
- directed by Colin Eggleston, Australia 1971, 97'
- Roar
-
-
Lecture
-
24/10/2018 18:00
-
Marta Stańczyk They shoot horses, don’t they? The significance of animal death in the history of cinema
-